Showing posts with label butthole surfers. Show all posts
Showing posts with label butthole surfers. Show all posts

Columns | What is Your Conceptual Continuity?

by James Turner

Fucking do not and will not ever understand this love for insincere bands that are only there as a "so-bad-it's-good" joke for anything more than a personal thing amongst (and for) friends.

It's not that I don't get behind stuff that was intentionally humorous when it comes to performing acts, but for fuck's sake, it's not a new idea and people have done it before—

Only those people also happened to leave us with music people still actually enjoy, without having to hide behind the forced detachment of "irony," or the pretentiousness of being "avant-garde"!

Although they, too, were praised by the pretentious, mainstream rock had Frank Zappa and Devo (although they were just incorporating humor into amazing music, not just having a laugh), hardcore had Nig Heist, post-punk had the Butthole Surfers, alt-rock had They Might Be Giants...

The difference was, we were also still left with music you could get behind, and not have to challenge yourself to enjoy just to keep up with the people around you; music that was memorable, and enjoyed for many years later, not just laughed at (not with) by anyone who wasn't in on the joke.

Hearing modern acts that produce this stuff, for me, feels like trying to breathe oatmeal, to the point where nearly any form of sincere music feels like the relief of an emergency tracheotomy. What's so difficult about "taking the piss" and giving something back of non-fleeting value?

The opposite of this is what's known as "outsider music": stuff that is arguably terrible or genius, depending on your viewpoint, but is nearly completely self-unaware. It's not manufactured irony, it's sincere, no matter how horrible it may (or may not) be.

If you're unfamiliar, refer to Wild Man Fischer, the manic-depressive schizophrenic (I believe that's his actual diagnosis), produced by Frank Zappa:





This other shit I'm talking about? Think of the mock-jazzy intro part to "Bitchin' Camaro" by the Dead Milkmen.

Now, imagine someone got the idea that that should be an entire band-concept, or an album's worth of material.

Anyway, bring your scorn if you're feeling butthurt at all about what I said, but I'll warn you: It will be a headed-nowhere conversation. I prefer to be challenged, and either feel stronger about my position or open to seeing a new perspective that I couldn't consider without the help of another.

Columns | JONNY BIPOLAR: 3 of the Strangest Bands I Listen to... And You Should Too!

by Jonny Bipolar

THE BUTTHOLE SURFERS

Punk. Metal. Country. Psychedelia. Noise. Electronica.

They all meet in a hole-in-a-wall bar in the middle of nowhere. They shit talk the bartender, smack the waitresses' asses, drink Jack and Cokes all night, probably doing various drugs. The cops get called and they end up in a holding cell overnight.

That is The Butthole Surfers.

The first time I ever heard of them was on the program 120 Minutes, and the song was "Who Was In My Room Last Night?" (From the album Independent Worm Saloon). It was a blistering mess of heavy metal and punk rock (well, what I knew of punk rock in 1993). My friend had a few cassettes of them (yes, I'm 34 and know the joys of cassette tapes), and I was hooked.

Weird samples, noise collages, tape loops, two drummers, breaking the traditional sound structure. I was locked in and a fan since. They were bizarre, but once you thought you had them figured out, they threw you another curve ball.

Many people only know of them from the 1996 hit "Pepper", but they were much more than that. This Texan band was a crazy cacophony of chaotic sound and worth really checking out.


Recommended albums:
Independent Worm Saloon (1993, Capitol Records) | Locust Abortion Technician (1987, Touch & Go)

Extended listening:
"The Hurdy Gurdy Man" | "Dust Devil" | "Goofy's Concern" | "I Saw an X-Ray of a Girl Passing Gas"


ATARI TEENAGE RIOT

What, punk rock doesn't have to consist only of guitar? It seemed like a crazy concept when I first heard of this band in 1998, but this band not only turned a form of music on its heels, it shattered preconceived notions of what was still left uncovered.

"They were a band that sounded the way you always wanted The Prodigy to sound," is what one NME writer said. Instead of four chords and snotty lyrics, ATR came crashing through with synthesizers, computers, samplers, and other electronic delights and ushered in some of the most pissed off and politics lyrics I'd ever heard, with a sonic backdrop like a mosh pit-fueled crime scene.

Song like "No Remorse (I Wanna Die)", "By Any Means Necessary", "Destroy 2000 Years of Culture", "Activate", "Start the Riot", and "Deutschland (Has Gotta Die!)" turned punk rock into the frenzied, unpretty, angry mess it needed to me.

'Digital Hardcore' was for the new millennium, and these Krauts (Alec Empire, Carl Crack, Hanin Elias, and Nico Endo) made me excited about punk again, when everything had become bland and safe. They didn't give a fuck about playing it safe, and helped a generation change the way they looked at the scene.


Albums to check out:
Burn, Berlin, Burn (Compilation 1996, Grand Royal) | 60 Second Wipeout (1999, Digital Hardcore Recordings)

Extended listening:
"Start the Riot" | "Sick to Death" | "Destroy 2000 Years of Culture" | "P.R.E.S.S."


BOREDOMS

Get ready to get your brain split. And fucked. And microwaved. And ran over by a semi-truck.
That's Japan's Boredoms. Noise punk without any rules. That's really all you can say.

They made me realize you could hit record on a tape player and play anything. It was an art form and there are some people who will dig it. Not everybody, but somebody. That's been my philosophy with every band I've been in.

Primal drumming, weird song structures, sound effects, sampling, screaming/babbling/yelped vocals making you question most music forms. I love them and the chaos they bring.

Check them out if you want to be confused, mesmerized, pissed off, and lost all at the same time.


Albums to check out:
Soul Discharge (1989, Original Selfish) | Pop Tatari (1992, Reprise)

Extended listening:
"Sun Gun Run" | "Mama Brain" | "Bo Go" | "Tomato Synthesizer"


Jonny Bipolar lives in New Castle, Pennsylvania, USA, and is exactly as described on the tin.